Story Development –
The Idea
Your story world: Suburbia? Outer space? Newspaper office? Boxing ring? …
Your theme: A story is an argument about how life should be lived. What’s more important: Family or friends? Winning or playing the game? The group or the individual? Money or love? Your story should be about something folks care about. This is the theme.
Your hero: Your central character will change, driven by a moral weakness he/she needs to overcome to achieve their goal.
Your hero’s goal: A story is about a person who has a compelling goal:
- to win ( a game or someone’s love)
- to stop (something bad happening/ a bad person’s plans)
- to retrieve (a treasure/ lost child/ missing brother/ a heist)
- to escape
Your premise/logline: What if? (…someone cloned dinosaurs from blood in amber?)
Your movie Title: (It’d better be a killer title – it must have irony and a compelling mental picture which suggests the logline)
Your story is about (your hero) who is a (dissatisfied with role in life) who suddenly (gets an opportunity to change) and decides to (go for a goal). This becomes increasingly difficult because of (obstacles and complications. By (change of plan), in spite of (opposition) your hero makes a moral choice, overcomes (self and antagonist) in a (final battle) to reach a new sense of her/his place in the world.
Three Act Structure
The First Act of a screenplay consists of usually about 25% of the story and is called the setup. In a 100 page screenplay it would be the first 25 pages or so. It sets up empathy for your hero and states the theme, then incites him/her to action.
The first turning point marks the end of the first act. It’s an event that forces the hero to change plans, and turns the story in another direction.
The Second Act, also called the Confrontation, continues for approximately the next 50%. At the midpoint the stakes are raised, your hero has a big win or a big loss, and cannot go back to how things were at the beginning.
Towards the end of the second act, all is lost for your hero and there is a touch of death. But thanks to the effect your hero has had on other characters, his/her recognition of the theme, and the hero’s best efforts, the second turning point reveals the answer to the main problem, leading to:
The Third Act, or resolution, the final 25% or so of the story, in which your hero does the hard yards to apply all the lessons learned, and to dispatch all villains in ascending order, so as to reach a new place in the world.
The final image is the opposite of the opening. It proves that change has occurred.
SCREENPLAY
Story Development – The Idea
The story is about a (description of your hero) who, after something major happens to them, wants to ( solution the hero seeks?) by (what is the hero’s plan?). This become increasingly difficult because of obstacles and complications in the way. ( what are the obstacles and complications)
Title of Film
What is your title ( or working title }
Three Act Structure
The First Act of a screenplay consists of usually about 25% of the story and is called the Setup. In a 100 page screenplay it would be the first 25 pages or so.
Toward the end of the first act there occurs the first turning point, an event that turns the story in another direction.
The Second Act, also called the Confrontation, continues for the next 50% or so until a second Turning Point occurs.
There is almost always a Turning Point in the middle of the Second Act.
The second plot point takes us into the Third Act, or Resolution, for the final 25% or so of the story.
